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Studio sound unleashed on stage.
By solving the most common problems for all you vocalists out there, LEWITT has created the ultimate live microphone capsule.
To give you crystal-clear live mixes and monitoring without feedback, the W9 features an industry-defining 90% rear rejection.
Before its release, professional live sound engineers have beta-tested the ... Read more
Studio sound unleashed on stage.
By solving the most common problems for all you vocalists out there, LEWITT has created the ultimate live microphone capsule.
To give you crystal-clear live mixes and monitoring without feedback, the W9 features an industry-defining 90% rear rejection.
Before its release, professional live sound engineers have beta-tested the LEWITT W9 with star acts like the Rolling Stones, T-Pain, and Kehlani, getting outstanding and reliable sound quality no matter the venue.
For extra longevity, the dual-layer design protects the capsule from moisture while minimizing wind noise and plosives.
No matter how you hold the microphone, tone integrity will be maintained due to cupping-safe design.
The innovative dual layer protection makes the W9 resistant to the usual drawbacks of sensitive condenser microphones, allowing you to:
• Reduce plosives without the need for a pop filter
• Protect the capsule from moisture
• Eliminate wind noise in outdoor environments
The cupping-safe design of the W9 gives you the freedom to perform however you like. It helps keep your sound steady without losing tonal definition when you get creative with your grip.
It might get loud on stage as you deal with noise from the crowd, drums, and other instruments. The W9 resists bleed and spills from other sound sources with an industry-leading 90% rear rejection resulting in crystal-clear live mixes without feedback.
The premium 1" true condenser capsule offers beautiful, studio-like high-end. Your audience will hear every detail of your voice, just like in a studio recording
For full flexibility in all scenarios, the W9 comes with switchable cardioid and supercardioid polar patterns, a 120 Hz low-cut filter, and 12 dB attenuation to reduce sensitivity and raise the maximum sound pressure level up to 152 dBSPL.
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